I’m Coming Back from Far Away (2003) is written as a musical score, with foreplay, improvisation, first, second and third movement. The author indicates, moreover, that if there is a piano on stage, it should be transparent. The construction of the play is very particular, exploded, strips of voices are talking to each other, songs are played, dialogues are disturbed by interior monologues, the neighbors change their views... A whole universe of voices seeking to make visible the invisible.